This season aired earlier this year on the BBC but is finally coming stateside, with all six episodes once again written by creator Steven Knight. Still, this is the end of “Peaky Blinders” as we have come to know it. After the announcement of a sixth and final season, there was a wee bit of backtracking with plans for a feature film to follow. This beloved, incredibly British period drama (set in the Birmingham criminal underworld directly after World War I) is finally nearing the end. Yep, “First Kill” is super gay! The trailer promises some “Buffy”-on-a-budget fun and the Internet should respond very kindly to the gay vampire drama. But the other, even more progressive element is that the vampire and the slayer are two young women. One – the young couple is interracial, which is a welcome change (one is the latest in a long line of monster hunters, the other is a “legacy vampire” ready for her … first kill). vampire story that is different in a couple of key respects.
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Schwab short story of the same name (Schwab created the series too), “First Kill” is a Y.A. (She’ll be reprising her role in the upcoming “Captain Marvel” sequel, “The Marvels,” slated to hit theaters next summer.) The MCU is expanding! īased on the V.
Lively and emotionally real, with a kind of comic book-y style reminiscent of “Spider-Man: Into the Spider-Verse” and a tone that is closer in line with YA fiction than anything Marvel Studios has attempted before, “Ms. Marvel” stars Iman Vellani, a self-described “brown girl from Jersey,” who idolizes Captain Marvel and who, one day, starts exhibiting superpowers of her own.
The latest Marvel Studios series for Disney+ is also one of the best. The format is slightly different – this time, Letterman is joined by a different comedian, who does a small set before chatting with the late-night legend. This new crop of episodes was recorded during the recent Netflix Is a Joke comedy festival that took over a large swath of Los Angeles. Maybe this new version, which debuted last month at the Cannes Film Festival, will be a favorite out of the gate. (Obviously, there’s a whole new meta element with Assayas remaking his own film.) The original “Irma Vep” was a lightning rod when it was first released (Owen Gleiberman named it one of the worst films of the year in the pages of Entertainment Weekly) but has simmered into a cult classic over the years.
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įrench writer-director Olivier Assayas adapted his own 1996 movie of the same name into a limited series, in which Alicia Vikander plays an American actress working on a new version of “Les Vampires.” As her commitment to the role starts to deepen, she begins to lose herself in more than one way. And at 91 minutes, it’s shorter than some of the new “Stranger Things” episodes. The film also makes a great double feature with “Hustle” this week.
Shot entirely on the iPhone 8 (!), which brings an urgency and accessibility to the story, and with a stellar supporting cast that includes Kyle MacLachlan and Bill Duke, “High Flying Bird” is absolutely electric. “High Flying Bird” is a little headier than most sports movies (it boasts an original script by “Moonlight” scribe Tarell Alvin McCraney), with Holland playing an agent who attempts to revolutionize the industry in 72 hours, thanks to a league-wide lockout. If Sandler’s “Hustle” has you itchy for more Netflix basketball drama, why not check out “High Flying Bird,” Steven Soderbergh’s 2019 drama starring André Holland and Zazie Beetz alongside (here we go) real-life NBA players like Reggie Jackson and Karl-Anthony Towns. If you’re new to it and intrigued, you have time to catch up. If you’ve been watching the show, you’re already pumped for Season 3. That’s really all we can give away with good conscience. What’s more, it’s set against the backdrop of the 1992 election cycle only instead of Bob Dole, Bill Clinton is running against Jodi Balfour’s Ellen Wilson. The third season of the show skips forward yet again not quite to the 1995 that was teased at the very end of Season 2, but slightly before, as NASA, Russia and a private spaceflight firm (sound familiar?) begin a three-way race to Mars. And everything is rendered in such vivid detail, both conceptually and emotionally, that it feels like watching a historical dramatization of something that actually happened but never did. Real-life heroes are dramatized alongside wholly made-up characters. Instead of beating Russia to the moon, the U.S. It’s an alternate history look at the space race. “For All Mankind” has been heralded as one of the greatest shows on TV.